Lily, Glencora, Ayala, and Isabel

Speakers from the Trollope Society’s ‘Women in Trollope’ conference, held at Somerville College in September 2023, will be presenting their talks on Zoom throughout 2024.

Professor Deborah Denenholz Morse

Professor Deborah Denenholz Morse served as the inaugural Sara E. Nance Eminent Professor of English at William & Mary from 2017 to 2022 and was twice designated a Plumeri Faculty Excellence Scholar, most recently for 2022–2024. In March 2024, she was appointed the NEH Eminent Professor of English.

Deborah is the author of Women in Trollope’s Palliser Novels (1987) and Reforming Trollope: Race, Gender, and Englishness in the Novels of Anthony Trollope (2013). Deborah co-edited The Politics of Gender in the Novels of Anthony Trollope (with Margaret Markwick and Regenia Gagnier, 2009) and The Routledge Research Companion to Anthony Trollope (with Margaret Markwick and Mark Turner, 2016). Her most recent articles on Trollope are “Mourning Glencora” in My Victorian Novel (2020), edited by Annette Federico, and “Handling Private Dramas of Class and Gender in Anthony Trollope’s The Duke’s Children” in Victorian Hands: The Manual Turn in Nineteenth-Century Body Studies (2020), edited by Pete Capuano and Sue Zemka.

Lily, Glencora, Ayala, and Isabel: Female Desire and Women’s Rights in Anthony Trollope’s Novels

Anthony Trollope created memorable desiring heroines in Lucy Robarts (Framley Parsonage, 1861), Lily Dale (The Small House at Allington, 1864), and Ayala Dormer (Ayala’s Angel, 1881). In the late 1870s during the fierce struggle for women’s rights, on the cusp of the 1882 Married Women’s Property Act, Trollope embodied this ideal heroine in American Isabel Boncassen (The Duke’s Children, 1880), who is based upon Trollope’s close feminist friend Kate Field. Isabel marries Silverbridge after making her vision of marriage on “terms of equality” as clear as her longing for him, asserting the right to choose a marriage which promises both erotic fulfillment and equality.


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